If the concert takes place before the studio album is released, however, it takes more than otherworldly teleportation and the elusive something that makes a live recording something worth cherishing. It takes talent, synergy, and comprehension of one's own potential as a musician, in order that the band can interact to the furthermost of its abilities and give an opportunity of rebirth to the compositions that will be released in the future. And with the Gin Rosé concert taking place three months before the studio album Friendship was released, and a large portion of its scheme being based on the then-upcoming album, both Klaus Schulze and Manuel Göttsching had to prove, like they had already done endlessly throughout their careers, that they were the epitome of true professionalism, exploration, and passion. They did not fail.

Gin Rosé is a sublime exploration of the themes that would later on adorn Friendship, handling them gently and respectfully before drawing from a vast well of variations and atmospheres and twisting the original basis around with exquisite delicacy and elegant ardor. The record will therefore allow what is already a known harmonic pattern or musical idea to surface for a few minutes before having Schulze and Göttsching take it into another direction through their gorgeous experimental interplay and sense of wonder. It is thus that the passionate acoustic interlude of Göttsching will reverberate through every single sensuous nerve of the listener by recalling previously experienced forbidden pleasures, only to lose itself into a calmly swaying sea of electronic noises and beats that exudes an undeniably human warmth.

If a current musical trend were to be invoked in an attempt to describe Gin Rosé to the average listener, it would be electronic lounge. And although the album is something that will certainly be recognized as grandiose by listeners of lounge, this goes far beyond that genre's restraints, giving its course a continuous effluence of warm emotion and subtle variations so that Gin Rosé is indivisible as the musical entity that it is, yet retaining so many distinctive moments and precious details that progressive is the very heart of this gentle tour. What truly matters, however, is that Ash Ra Tempel proved, just like it would with Friendship, that the potential of having music transcend this mortal coil and engage the listener soul to soul is more than just potential. It is a reality.«

In fact, Gin Rosé is not whole piece as it has some parts, the most beautiful of them acoustic guitar solo which is to appear in Pikant on subsequent Friendship album.

Some might find the album as boring as long but in its field Gin Rosé a gem.

(4 stars out of 5)